Dewey Square - Various - The Original Masters Of Be Bop
Label: Going For A Song - GFS517 • Format: CD Compilation • Country: UK • Genre: Jazz • Style: Bop
Let The Sun Shine (Wackside Tweaker Remix) - Milk & Sugar Featuring Lizzy Pattinson - Let The Sun Sh, Carousel - No Artist - Audio Fidelity Sound Effects No. 4, Per Un Orgoglio Migliore - Paul Eluard*, Giulio Bosetti - Liberté, Bittersweet Waltz - Leon Redbone - Up A Lazy River, Love At First Fright - Murderdolls - Beyond The Valley Of The Murderdolls, Hungry Town (12 Remix) - Big Pig - Hungry Town, Bright - Ruetschle - Exotic Destinations, Limitless Expressions - Various - Home Alive - The Art Of Self Defense, Dincolo De Nori - Holograf - Best Of - Dimineață În Altă Viață, Sage (42) - Sage, Top Dawgs - $tr8 Outta Control - Unleash The Beast, Dirty Playroom (David Sense Remix) - Darren Mase Feat Dirty Flavor - Dirty Playroom
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Home > Charlie Parker > Catalog - album index / Discography - session index. Charlie Parker Catalog. (age 17) Dewey Square (as Air Conditioning) (as Prezology) DB: Dewey Square DB: The Hymn (as Superman) Various Artists - The Be-Bop Era (RCA Victor LPV) Miles Davis, Dizzy Gillespie, Fats Navarro, trumpet;.
View credits, reviews, tracks and shop for the CD release of The Legendary Dial Masters on Discogs.5/5(3).
A Studio Chronicle is a five-disc box set from the British label JSP detailing what producer Ted Kendall considers to be the essential studio recordings of saxophonist Charlie dance.shagoresamumkathridred.infoinfoed here are not only the innovative bebop sides that made Parker a living legend, but also the early Kansas City swing recordings he appeared on while playing with the Jay McShann Orchestra/
Charlie Parker: The Complete Savoy & Dial Studio Recordings by Mark Corroto, published on January 1, Find thousands reviews at All About Jazz!
Apr 11, · – while the second half of the ‘Robbins’ Nest lick’ is used in m. 11 and 27 of Ornithology, the opening of the lick can be heard in the bridge of Parker’s ‘Dewey Square’ solo. – The lick from m. 5 of Anthropology was re-used by Parker in a rhythmically altered version in the last measure of .